- Artists (exclusive MP3s/CDs)
- Blogs A-J
- Blogs K-Z
- Ken Rudman
- Kim Cooper/ LITG
- Kkuvo's Scram reviews
- Lost in Sacramento
- Luxuria
- Mark Prindle
- Mere Words
- Mike Appelstein
- Murder Can Be Fun
- Music Nerd
- P. Edwin Letcher
- Paul Aarstad
- Robert Dayton: Going Great!
- Robin Wills' Purepop
- Ron Garmon vs. the World Crime League
- Sheena Metal's The Music Highway
- The Total Experience
- Tiny Idols
- Toe Stubber
- Tom Neely
- Tony Sclafani
- Tosh Berman
- Waved Rumor
- Book
- LITG on Amazon
- LITG on iTunes
- Scram Magazine
Everybody Cares, Everybody Understands
Blogs K-Z
Finding a use for Elliott Smith
~ By RON GARMON ~
As in every other art this town trades shares in, rock music has very visible casualties. We celebrate our walking wounded and early dead with scab-picking compulsion; from smarmy postmortem tributes to the megabuck dead all the way down to fanzine geeks burnishing the glory (and bearing the company) of some one-album genius of 40 years ago, the scene never forgets and never shuts up. Contexts change, scenery gets trucked to the warehouse, tastes shift perceptibly this way or that, but sentiment, like death, never changes.
Staring back at us from photos now as a charmingly raffish thug, Elliott Smith was a pop artist who wrote and recorded songs of surpassing delicacy and emotional range, which
» login to post comments














